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Creative, innovative collaboration for all audiences.

We are a group of collaborative artists that were fortunate to cross paths during our time at the University of California, Irvine. We began our journey back in 2017 and have remained steadfast friends and colleagues ever since. Throughout our time together we have self-produced our production of Dave Malloy's Ghost Quartet throughout the state of California for a wide range of audiences and in multiple environments.  We are all continuously pursuing creative endeavors across the country. Our hope is to foster creative, personal experiences with an audience while using the tools we have acquired through our own years of performing, writing, watching, and experiencing life and art.

Upcoming performances

Weds

Sept

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11

Ghost Quartet @ Little Boxes Theater

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Sep 11, 8:00 PM

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Little Boxes Theater, 1661 Tennessee St, San Francisco, CA 94107, USA

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SF, look out and hold onto our hearts for us-- we're coming to you for the first time! Make sure to get your tickets today! (Also available at the door...)

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Ghost Quartet @ The Complex Hollywood

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Sep 13, 7:00 PM – Sep 14, 11:30 PM

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The Complex Hollywood, 6476 Santa Monica Blvd, Los Angeles, CA 90038, USA

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We're making our Los Angeles debuts with this production of Ghost Quartet at the Compex Hollywood! We're stoked to share this story with a new batch of listeners in Southern California. One performance on 9/13 at 8:00 and two shows on 9/14 at 7:30 and 10:30!

Fri & Sat

Sept

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13-14

The team

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Artistic Director

Production Manager

Rebecca Rowland

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Managing Director

Venue Coordinator

Mark Metzger

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Audience and Media

Engagement

Dani Honeyman

Tech and Logistics Consultant

Aaron J. Miller

TESTIMONIALS

“This group has taken a truly beautiful play and created an extraordinary experience for their audiences. Their voices transported me to many different worlds and completely immersed me in the many lives of these souls. Not only was this a night of incredible entertainment, but also magic, wonder, and thought-provoking questions.”

Desiree Zarate

“Upon entering the small black box theatre; a much more than appropriate housing of this work, one is immediately struck by the simplistic, yet specific, and highly detailed set dressing and stage construction. Small objects like crystal lights, an old phonograph, aged rugs, and wing back chairs set the dark, mysterious, and ornate tone of this play told through music. There is little masking to be seen as this production took a Brechtian approach and placed the story in a theatre space.

 

And then magic happened..."

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Niklaus Powers

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